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First Wrecking Ball Title of 2019 Announced

JSS-BACHThe first Wrecking Ball Press title of 2019 has been announced. Martin Goodman’s J SS Bach will be published on March 6, 2019.

The book tells the story of three generations of women from either side of Germany’s 20th Century horror story – one side, a Jewish family from Vienna, the other linked to a ranking Nazi official at Dachau concentration camp – who suffer the consequences of what men do.

Fast-forward to 1990s California, and two survivors from the families meet. Rosa is a young Australian musicologist; Otto is a world-famous composer and cellist. Music and history link them. A novel of music, the Holocaust, love, and a dog.

“Most moving and impressive. In J SS Bach Martin Goodman manages an original slant on what has become all too familiar – the ‘Holocaust novel’ – and has created something really worthwhile as a result. It is beautifully structured and has a distinctive and haunting tone. Altogether a very clever and memorable piece f work that deserves to do well.” – Simon Mawer, author of The Glass Room.

J SS Bach can be pre-ordered here.

Isaiah Hull: A Voice Far Older Than His Young Years

NosebleedsNosebleeds, the first collection of poetry from Isaiah Hull, has been published by Wrecking Ball Press.

“Nosebleed is the first time you feel alien to yourself, even as a child, so imagine how I felt, when this came out.”

Visceral and raw, this collection explores family, life, and the real world. Hard-hitting poetry written to be spoken aloud, but making the transition to the page with remarkable ease and clarity.

Coming from a voice far older than the poet’s young years, Hull’s writing is soul-searching and down to earth. Nosebleeds is an exploration of expression, traversing emotion and form.

“Isaiah’s writing holds a weight and maturity unparalleled by anyone his age. He is the voice we all need to hear.” – John Berkavitch, poet and creative director of Shame.

Nosebleeds is available here.

Shirley May Tells of Diaspora and Home

She Wrote Her Own EulogyShirley May’s first poetry collection has been published by Wrecking Ball Press. She Wrote Her Own Eulogy, slipping in and out of distinct patois, tells of diaspora and home.

The landscape of Kent and Manchester are brought to vibrancy via Jamaica: the twisting road taken by people displaced and making new communities on strange soil. There are stories, kept and told and shared.

There is wisdom, there is memory, there is future, and there is hope.

“Blazing with emotion, challenging all the senses, this life-affirming collection demands to be read. Charting a journey from Jamaica, these beautifully crafted poems offer a fresh, detailed insight into the experience of migration.” — Sue Roberts, BBC Producer.

She Wrote Her Own Eulogy is available here.

Helen Mort’s First Foray Into A World Beyond Poetry

ExireA new collection of work by Helen Mort has been published by Wrecking Ball Press. Exire is not a novel. It is not a collection of short stories. It is, instead, both of these things: stories that may stand alone whilst inextricably tied together. It is Helen Mort’s first foray into the world of fiction beyond poetry.
 
Dystopian Britain, the year unspecified. A new website, Exire, offers those who feel disconnected from their lives one last act of choice, packaged as a bespoke service. In this unsettling collection, voices fade in and out, people connected by Exire’s troubling appeal. At the heart of it all is Lorna, a young musician who has made a painful decision. We hear her story in reverse.
 
“Addictively sinister.” — Mark Haddon, author of The Curious Incident of the Dog in the Night Time.
 
Exire is available here.

Contains Strong Language Returns in 2019

CSL 2018Contains Strong Language, the UK’s biggest poetry and performance festival of new writing, will return to Hull in 2019.

The third festival of its kind to be held in Hull in three years follows a successful return in September this year, which saw more than 30 events taking place in the city over three days, with leading poets and world-class spoken word artists taking to the stage alongside new voices.

Contains Strong Language 2018 was a partnership between the BBC, Wrecking Ball Press, Arts Council England, Absolutely Cultured, 14-18 NOW and the British Council. 

18 of the most interesting and diverse poets formed the Contains Strong Language company of artists. The Hull 18 brought new and existing poetry to the festival. The Hull 18 were Amanda Dalton, Jackie Kay, Simon Armitage, Louise Wallwein, Jacob Polley, Isaiah Hull, Vicky Foster, Joe Hakim, Shirley May, Karen McCarthy Woolf, Jay Bernard, Malika Booker, Kat François, Ishion Hutchinson, Jay T John, Charnell Lucien, Vladimir Lucien and Tanya Shirley.

In 2017 the festival took place for the first time in Hull as part of Hull’s UK City of Culture celebrations.

Programme details for 2019 will be revealed in the coming months but Contains Strong Language 2019 looks set to be the biggest event of its kind to date.

Wrecking Ball In Store

Wrecking Ball Music and BooksWrecking Ball Music and Books opened its doors at the end of September in the East Arcade of Hull’s Princes’ Quay.

The new shop sells the entire Wrecking Ball Press catalogue, as well as a range of books from independent publishers, new and used vinyl, merchandise, gifts and gig tickets.

The independent retail outlet is a joint venture between Wrecking Ball editor Shane Rhodes and Gary Marks.

Three weeks in and the shop is proving to be a success and has quickly established itself as a relaxed place to browse, chat and buy music and books.

Seven times snooker World Champion and green baize legend Stephen Hendry will be dropping by the shop on Wednesday October 25 when he will be signing copies of his autobiography Me and the Table at 12.30-1.30pm.

Face-to-face With Norwegian Literature

Shakar ZeshanWrecking Ball Press visited Norway in September 2018 to explore the country’s literary scene, which, in 2017, saw 538 Norwegian books translated into 44 different languages around the globe.

The successful trip to the country steeped in literary history going back to the pagan Eddaic poems and skaldic verse of the ninth and tenth centuries has resulted in Wrecking Ball securing the UK rights to publish Zeshan Shakar’s Our Street (represented by the Gyldendal Agency) and ongoing negotiations, now at an advanced stage, to publish Lotta Elstad’s I Refuse To Think (published in Norway by Flamme Forlag).

Wrecking Ball editor Shane Rhodes said: “In the modern day when a lot of business is done via email or over the phone I felt that it was important to go and meet Norwegian publishers face-to-face, to have conversations in person and to really get a flavour of the nation, its writers and the exciting work that is being created there. It was a successful trip given that we ended up securing the rights to Our Street and also look set to publish I Refuse To Think.”

Shakar’s book is the Winner of the Tarjei Vesaas’ Debutant Prize 2018 and is set in Norway in the 2000s. Two boys grow up on the street Tante Ulrikkes street in Stovner, the north-east part of Oslo. Their parents had hope. They themselves are in the middle of the transition between suburb and wider society, between car wash and student canteen, exam grades and keef.

Heralded as one of the best books to come out of Norway in 2017, “Our Street isn’t important because it represents something or someone, but because it’s a really great novel.” (Morgenbladet)

Shakar is a profoundly literary and authentic voice, describing second generation immigrants’ position as both insider and outsider in Norwegian society.

Elstad’s I Refuse to Think is a dark, feministic contemporary comedy about politics, love – and an abyss that is getting dangerously closer. The book was nominated for The Oslo Prize in 2017 for Best Novel.

I Refuse to Think has been called “A Feministic Bulls-eye” and “…one of this year’s most enjoyable reads” by critics. Elstad, who is garnering attention around the world and destined to become the next Norwegian literary star, writes with sharp and smart humour and original style.

Indonesian Rights Secured

Mikael JohaniA literature visit by Wrecking Ball Press to Indonesia has resulted in securing the rights to publish Mikael Johani’s We Are Nowhere And It’s Wow and Nirwan Dewanto’s Museum of Pure Desire.

The trip was part of the Literature Visit programme supported by the British Council that aimed to build networks in literature ahead of the Indonesian market focus at London Book Fair in 2019.

Editor Shane Rhodes headed out to the Jakarta and Makassar International Writers Festival in May in order to identify publishing opportunities, find out more about Indonesian culture and literature and meet with writers and Indonesian publishers.

Both books will be published in 2019 in readiness for London Book Fair at Earl Court in March next year.

We Are Nowhere And It’s Wow is Johani’s first poetry collection and is divided into three sections, home, home part deux, away, and we are nowhere and it’s wow. because he likes being coy. home is away, away is home, part deux is part un, nowhere is somewhere etc. includes such orientalist pesudo-political poems as away with wiji thukul I-VIII as well as apathetic occidentalist ones like esthétique du mall.

Museum of Pure Desire contains choice examples of contemporary Indonesian poetry whose richness derives from their destruction of the constraints that surround poetry. Dewanto’s poems challenge the reader to stop and reconsider what first comes to mind upon their reading and to consider an entirely different interpretation altogether; they pull the reader into a state of tension between extreme juxtaposition and hidden logic, between childlike playfulness and calculated detachment.

Other publishers in attendance at the Literature Visit were MacLehose Press, Portobello Books, Tilted Axis Press, Oneworld Publications and Harvill Secker.

30 Indonesian publishers and copyright agencies are expected to head to London Book Fair in 2019.

Wrecking Ball Spring News

Toria Garbutt’s collection of poetry The Universe and Me is published by Wrecking Ball Press today. We are proud to be working with such a talented and innovative Northern voice. Available now through the website shop.

We are really excited that our next publication will be Drunken Baker by Viz’s own Barney Farmer. It will be available in hardback later in the Spring.

Good news ! The Arts Council have granted us a further year’s funding. Look out for these upcoming titles from Wrecking Ball Press in 2018…

Exire – short story collection by Helen Mort       
Spit and Hiss – poetry collection from Mike Watts
Doom 94 – Wrecking Ball’s first book in translation by Latvian author Yanis Jonevs                 

We have other publications planned from acclaimed novelist Martin Goodman, young poet Isaiah Hull, Dave McGowan, Fiona Curran, and subculture journalist Kirsty Allison.

Following on from Will Self’s appearance at the 2017 Humber Mouth Literature Festival, Wrecking Ball Press has published his pamphlet How Was Your Day? Available now through the website shop.

The Weird And Wonderful World of Peter Knaggs

A great review of Peter Knaggs’ “You’re so vain (you probably think this book is about you)” by Dick Ockleton in Dream Catcher Magazine. 

Cover_Dream_Catcher_34

It’s not every day you come across a poem with the title “Scunthorpe Police Swoop on Lunatic Bean Fetish Man”, but by the time you reach page 72 of Peter Knaggs’ “You’re so vain” collection, it doesn’t seem anything out of the ordinary. “Normal for Knaggs”, you might say.

You know you are in for something different from the off. The arresting cover – a face formed from a pair of scissors, a comb and a button, should seem harmless enough, but there is something unnervingly fierce about it and the significance of those bloody (literally) scissors comes back to haunt you.
Page by page, Knaggs has the ability to surprise, intrigue, amuse, sadden and shock in equal measure and it makes for an oddly addictive collection. You really do want to know what happens next. The accessible style of these pithy, cleverly crafted pieces keeps you turning the pages.
Knaggs’ gritty, witty poems take you on a journey through a world populated by meticulously observed and totally believable ordinary people, just trying to get by on a day to day basis. You are introduced to their shortcomings, their labours, their hopes, their dreams and their frequent disappointments. They just keep at it, ever more inventive in their efforts to keep their heads above water by whatever means, be it working in unrewarding jobs, lawbreaking, fighting, practical-joking, conning. And, now and again, the odd murder is dropped into the mix – quite literally in the case of an adulterous trapeze artist. Those scissors also make a couple of appearances, broken and sinister.
They are a motley bunch, Bobby, Billy, Ox, Banana Dave, Arnie, Stiggy and the rest. You join their lunch breaks and eavesdrop on their conversations. The author’s acutely-observed scenarios and quirky fine detail (“White bread impressed with grey fingertips like dabs down the nick”) put you right there with the characters. You could perhaps warm to some of these lads, but you definitely wouldn’t want to meet Gasher on a dark night.
But the hapless, ever-optimistic Crusoe is the star of the show. He appears as a steady thread running through the book. There is more to Crusoe than meets the eye. Stuck in an unhappy marriage, too scared of his wife’s brothers to get out, he “sometimes wants God to give him his receipt so he can take his whole life back and get a refund”. Even his own mouse traps attack him. Crusoe has firm opinions on what does not constitute modern art, and is meticulous about cleaning his van. He is on a relentless (so far unsuccessful) quest for self-improvement, but has also been known to “moon” in Macdonald’s. His frequent appearances and obviously sympathetic treatment might lead you to the conclusion that he is the narrator’s best mate.
Recurring themes of poverty, law-breaking and tediously stupid, incompetent bosses, are lightened by moments of joy and release. There is a character who goes up on the roof in all weathers to escape – “it’s the quietness, the otherness, the being above”. There are “boisterous shirts” which apparently make the wearers irresistible to the opposite sex – or is that just the beer talking? Even the relentless bashing of inept managers is punctuated by a couple of moments of (almost) sympathy for their situation. The ongoing fight between the “Devil” and “God”, or the pitying parallel drawn between a boss and an old library book that nobody wants to borrow.
But now and again you are brought down to earth with a bump. The gnawing poignancy of a woman who dies, alone, with “two losing lottery tickets in her purse”, or the helplessness and horror of a football stadium tragedy.
And then there are moments of pure whimsy – a relationship with a mermaid, or a “Clockwork Orange” style over-luxurious use of language to describe the gluttonous “Badger the Cadger”. You can almost hear the slobbering.
This collection is a pick and mix of real lives. It takes you through the highs and lows and it makes you stop and think. Never boring, it crackles with originality. The wry wit keeps going right through to the end, with the final poem’s take on being hard up – directions given to an imaginary bargain hunter on how to navigate by a succession of “Pound shops” to reach the ultimate goal – a shop that sells everything for 10p – Paradise!
All in all, a refreshing read.

Dick Ockleton

 

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